My new play “Pig Unit” is about my experiences of working on
a pig farm some years ago. I hasten to add that while the situation is true,
the drama is not. I’ve got most of the
dialogue down and I’m quite pleased with that.
I love the process of writing dialogue and getting it down to a sort of
abstracted verisimiltude. That usually
means cuttting and cutting. Slicing away
sentences and whole paragraphs until I’ve pared it down to that almost
incoherent series of non sequiturs that contain just enough information for a
conversation to carry some sense to the protagonists. And also remembering that real life people
have difficulty conveying meaning, not listening to what others are saying and,
sometimes, just lying.
The next stage, which I find more challenging is trying to
order the set pieces, that is scenes within the main flow of scenes, that tell
the story to the audience. One of the
characters comes out with a long piece of explanation about himself and what
motivates him. But where do I put this revelation? Too near the end and it well appear like an
Agatha Christie denouement. Too near the
beginning and it will have less impact without the audience knowing the other
characters thoroughly. And I want it to
plant a few ideas that will play out at the end. What’s more, I have to ask, which of the
other characters will need to know about it?
Will they be present when he spills the beans? Or will the news filter
through to them piece by piece? And how
will the other characters react? Will they realise the significance of the
revelation there and then or will it be a slow burn with them reaching a slow
dawning of understanding? Will the audience find it too obvious or can I
disguise it in some way as if our character is appearing to reveal one thing whilst
accidentally revealing another?
There are no rules to guide the writer here so the simplest
way is to try the passage in different places in the play. Cut and paste is a wonderful tool. And with each experiment, if I read it out
loud as I always do, I will rootle out what is right and most effective for the
piece.
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